Перевод "Talk on Copyright Enforcement at JURI Working Group on Authors’ Rights" | Participants
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Talk on Copyright Enforcement at JURI Working Group on Authors’ Rights | ||
Good afternoon and thank-you for inviting me here today. To introduce myself I’m the Mead Fellow in Economics at Emmanuel College, University of Cambridge and an Associate at the Centre for Intellectual Property and Information Law also at the University of Cambridge. I believe that my colleague Professor Bently came here in October to speak to a similar gathering that time on the topic of copyright term extension. | ||
To begin with I want to make a few general points before proceeding to the specific area — enforcement — that today’s meeting looks at. | ||
The first point I would like to make is when we talk of copyright we must remember that it is not a single unified thing but, in reality, a bundle of different attributes. For example, there is the crucial distinction between: | Первое, что я хотел бы отметить — когда мы говорим о копирайте, мы должны помнить, что это не единое целое, а, на самом деле, набор различных характерных свойств. Например, существует решающее различие между: | |
Economic rights: the ‘monopoly’ right to control reproduction and distribution of the work (and thereby to control, at least partially, its price). We should also note that in some cases this ‘exclusive’ right may be converted into a right for equitable remuneration. | - Экономическими правами: "монопольным" правом регулировать воспроизведение и распространение произведения (и таким образом, регулировать, по крайней мере частично, его цену). Мы также должны отметить, что в некоторых случаях это "исключительное" право может быть превращено в право на справедливое вознаграждение. | |
Moral rights: rights of attribution and integrity. These an exist separately and independently of any economic rights. Furthermore they are often norms that we respect irrespective of any copyright: I still credit Shakespeare for Romeo and Juliet even if it is in the ‘public domain’. | - Моральными правами: правом признаваться автором произведения и правом на защиту произведения от искажения. Эти права существуют отдельно и независимо от любых экономических прав. Более того, они часто являются стандартами, которые мы уважаем безотносительно к любому копирайту: я всё же приписываю авторство "Ромео и Джульетты" Шекспиру, хоть это произведение и находится в общественном достоянии (public domain). | |
Furthermore these economic and moral rights have attributes such as: | ||
Term, i.e. the length that the right lasts. | ||
The breadth of the right. For example, in the US copyright for performers is ‘narrower’ than in the EU because certain uses of recording (notably broadcast on the radio) need not be paid for. There are also limitations and exceptions related to educational use or use for criticism where permission need not be sought from the rightsholder. | ||
Lastly there is enforcement. After all one can have very ’strong’ rights but then be permissive in enforcement, or, conversely, have more limited ‘rights’ but be very strict in the enforcement. I would also point out that enforcement is a social as well as legal matter: when I attribute an author the main reason I do it is not because I might get ’sued’ if I did not but because it is the right thing to do — people should be credited when their work is used wherever it is reasonable to do so. |
© Rufus Pollock.
