40 законов симпатических (сочувственных) вибрацй Джона Ворела Кили

John Ernst Worrell Keely's Forty Laws of Sympathetic Vibratory Physics

1. Law of Matter and Force:

Coextensive and coeternal with space and duration, there exists of all matter: these are in a state of constant vibratory motion,infinite in extent, unchangeable in quantity the initial of all forms of energy.

2. Law of Corporeal Vibrations:

All coherent aggregates when isolated from like bodies, or when immersed of confined in media composed of matter in a different state, vibrate at a given ascertainable pitch.

3. Law of Corporeal Oscillation:

All coherent aggregates not isolated from like bodies, oscillate at a period-frequency varying with the tensions that augment and diminish the state of equilibrium.

4. Law of Harmonic Vibrations:

All coherent aggregates are perpetually vibrating at a period-frequency corresponding to some harmonic ratio of the fundamental pitch of the vibrating body; this pitch is a multiple of the pitch of the atomole.

5. Law of Transmissive Vibraic Energy:

All oscillating and vibrating coherent aggregates create in the media in which they are immersed, outwardly propagated concentric waves of alternate condensation and rarefaction, having a period-frequency identical with the pitch of the aggregate.

6. Law of Sympathetic Oscillation:

Coherent aggregates immersed in a medium pulsating at their natural pitch simultaneously oscillate with the same frequency, whether the pitch of the medium be a unison of any harmonic of the fundamental pitch of the creative aggregate.

7. Law of Attraction:

Juxtaposed coherent aggregates vibrating in unison, of harmonic ratio, are mutually attracted.

8. Law of Repulsion:

Juxtaposed coherent aggregates vibrating in discord are mutually repelled.

9. Law of Cycles:

Coherent aggregates harmonically united constitute centres of vibration bearing relation to the fundamental pitch not multiples ofthe harmonic pitch, and the production of secondary unions between themselves generate pitches that ate discords, either in their unisons, or overtones with the original pitch; from harmony is generated discord, the inevitable cause of perpetual transformation.