Fiction

Fiction

Arvies

STATEMENT OF INTENT

This is the story of a mother, and a daughter, and the right to life, and the dignity of all living things, and of some souls granted great destinies at the moment of their conception, and of others damned to remain society’s useful idiots.

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CONTENTS

Expect cute plush animals and amniotic fluid and a more or less happy ending for everybody, though the definition of happiness may depend on the truncated emotional capacity of those unable to feel anything else.

Some of the characters are rich and famous, others are underage, and one is legally dead, though you may like her the most of all.

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APPEARANCE

We first encounter Molly June on her fifteenth deathday, when the monitors in charge of deciding such things declare her safe for passengers.

Congratulating her on completing the only important stage of her development, they truck her in a padded skimmer to the arvie showroom where she is claimed, right away, by one of the Living.

The fast sale surprises nobody, not the servos that trained her into her current state of health and attractiveness, not the AI routines managing the showroom, and least of all Molly June, who has spent her infancy and early childhood having the ability to feel surprise, or anything beyond a vague contentment, scrubbed from her emotional palate.

Crying, she’d learned while still capable of such things, brought punishment, while unconditional acceptance of anything the engineers saw fit to provide brought light and flower scent and warmth.

By this point in her existence she’ll greet anything short of an exploding bomb with no reaction deeper than vague concern. Her sale is a minor development by comparison: a happy development, reinforcing her feelings of dull satisfaction.

Don’t feel sorry for her. Her entire life, or more accurately death, is happy ending. All she has to do is spend the rest of it carrying a passenger.

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VEHICLE SPECIFICATIONS

You think you need to know what Molly June looks like. You really don’t, as it plays no role in her life.

But as the information will assist you in feeling empathy for her, we will oblige anyway.

Molly June is a round-faced, button-nosed gamin, with pink lips and cheeks marked with permanent rose: her blonde hair framing her perfect face in parentheses of bouncy, luxurious curls.

Her blue eyes, enlarged by years of genetic manipulation and corrective surgeries, are three times as large as the ones imperfect nature would have set in her face.

Lemur-like, they dominate her features like a pair of pacific jewels, all moist and sad and adorable.

They reveal none of her essential personality, which is not a great loss, as she’s never been permitted to develop one.

Her body is another matter. It has been trained to perfection, with the kind of punishing daily regimen that can only be endured when the mind itself remains unaware of pain or exhaustion.

She has worked with torn ligaments, with shattered joints, with disfiguring wounds.

She has severed her spine and crushed her skull and has had both replaced, with the same ease her engineers have used, fourteen times, to replace her skin with a fresh version unmarked by scars or blemishes.

What remains of her now is a wan amalgam of her own best-developed parts, most of them entirely natural, except for her womb, which is of course a plush, wired palace, far safer for its future occupant than the envelope of mere flesh would have provided.

It can survive injuries capable of reducing Molly June to a smear.

In short, she is precisely what she should be, now that she’s fifteen years past birth, and therefore, by all standards known to modern civilized society, Dead.

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HEROINE

Jennifer Axioma-Singh has never been born and is therefore a significant distance away from being Dead.

She is, in every way, entirely typical.

She has written operas, climbed mountains, enjoyed daredevil plunges from the upper atmosphere into vessels the size of teacups, finagled controlling stock in seventeen major multinationals, earned the hopeless devotion of any number of lovers, written her name in the sands of time, fought campaigns in a hundred conceptual wars, survived twenty regime changes and on three occasions had herself turned off so she could spend a year or two mulling the purpose of existence while her bloodstream spiced her insights with all the most fashionable hallucinogens.

She has accomplished all of this from within various baths of amniotic fluid.

Jennifer has yet to even open her eyes, which have never been allowed to fully develop past the first trimester and which still, truth be told, resemble black marbles behind lids of translucent onionskin.

This doesn’t actually deprive her of vision, of course.

At the time she claims Molly June as her arvie, she’s been indulging her visual cortex for seventy long years, zipping back and forth across the solar system collecting all the tourist chits one earns for seeing all the wonders of modern-day humanity: from the scrimshaw carving her immediate ancestors made of Mars to the radiant face of Unborn Jesus shining from the artfully re-configured multicolored atmosphere of Saturn. She has gloried in the catalogue of beautiful sights provided by God and all the industrious living people before her.

Throughout all this she has been blessed with vision far greater than any we will ever know ourselves, since her umbilical interface allows her sights capable of frying merely organic eyes, and she’s far too sophisticated a person to be satisfied with the banal limitations of the merely visual spectrum.

Decades of life have provided Jennifer Axioma-Singh with more depth than that. And something else: a perverse need, stranger than anything she’s ever done, and impossible to indulge without first installing herself in a healthy young arvie.

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ANCESTRY

Jennifer Axioma-Singh has owned arvies before, each one customized from the moment of its death.

She’s owned males, females, neuters, and several sexes only developed in the past decade.

She’s had arvies designed for athletic prowess, arvies designed for erotic sensation, and arvies designed for survival in harsh environments.

She’s even had one arvie with hypersensitive pain receptors: that, during a cold and confused period of masochism.

The last one before this, who she still misses, and sometimes feels a little guilty about, was a lovely girl named Peggy Sue, with a metabolism six times baseline normal and a digestive tract capable of surviving about a hundred separate species of nonstop abuse.

Peggy Sue could down mountains of exotic delicacies without ever feeling full or engaging her gag reflex, and enjoyed taste receptors directly plugged into her pleasure centers. The slightest sip of coconut juice could flood her system with tidal waves of endorphin-crazed ecstasy.

The things chocolate could do to her were downright obscene.

Unfortunately, she was still vulnerable to the negative effects of unhealthy eating, and went through four liver transplants and six emergency transfusions in the first ten years of Jennifer’s occupancy.

The cumulative medical effect of so many years of determined gluttony mattered little to Jennifer Axioma-Singh, since her own caloric intake was regulated by devices that prevented the worst of Peggy Sue’s excessive consumption from causing any damage on her side of the uterine wall. Jennifer’s umbilical cord passed only those compounds necessary for keeping her alive and healthy.

All Jennifer felt, through her interface with Peggy Sue’s own sensory spectrum, was the joy of eating; all she experienced was the sheer, overwhelming treasury of flavor.

And if Peggy Sue became obese and diabetic and jaundiced in the meantime—as she did, enduring her last few years as Jennifer’s arvie as an immobile mountain of reeking flab, with barely enough strength to position her mouth for another bite—then that was inconsequential as well, because she had progressed beyond prenatal development and had therefore passed beyond that stage of life where human beings can truly be said to have a soul.

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PHILOSOPHY

Life, true life, lasts only from the moment of conception to the moment of birth.

Jennifer Axioma-Singh subscribes to this principle, and clings to it in the manner of any concerned citizen aware that the very foundations of her society depend on everybody continuing to believe it without question.

But she is capable of forming attachments, no matter how irrational, and she therefore felt a frisson of guilt once she decided she’d had enough and the machines performed the Caesarian Section that delivered her from Peggy Sue’s pliant womb.

After all, Peggy Sue’s reward for so many years of service, euthanasia, seemed so inadequate, given everything she’d provided.

But what else could have provided fair compensation, given the shape Peggy Sue was in by then?

Surely not a last meal! Jennifer Axioma-Singh, who had not been able to think of any alternatives, brooded over the matter until she came to the same conclusion always reached by those enjoying lives of privilege, which is that such inequities are all for the best and that there wasn’t all that much she could do about them, anyway.

Her liberal compassion had been satisfied by the heartfelt promise to herself that if she ever bought an arvie again she would take care to act more responsibly.

And this is what she holds in mind, as the interim pod carries her into the gleaming white expanse of the very showroom where fifteen-year-old Molly June awaits a passenger.

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INSTALLATION

Molly June’s contentment is like the surface of a vast, pacific ocean, unstirred by tide or wind.

The events of her life plunge into that mirrored surface without effect, raising nary a ripple or storm.

It remains unmarked even now, as the anesthetician and obstetrician mechs emerge from their recesses to guide her always-unresisting form from the waiting room couch where she’d been left earlier this morning, to the operating theatre where she’ll begin the useful stage of her existence.